Sunday, July 26, 2009
It is Restriction.
Tuesday, July 21, 2009
The Mouth of the Nile
Veronica left for Uganda from San Francisco on Saturday a few hours after I left for Portland, Oregon. I arrived back in Boston early this morning. Throughout the last few days, I've been trying to place V in the world based on my poor estimation of her flight times: let's see, Sunday a 5pm Western time... does that mean she's in Amsterdam? Well, regardless. I've started to get emails from her iphone of all things. She sent me this picture this afternoon with the title "The mouth of the Nile."I've never been to Africa. The whole continent, let alone Uganda, let alone the Nile, is a mystery to me. I have no idea what to imagine, if I try to imagine. I guess the mouth of the Nile looks something like this.
Tuesday, July 7, 2009

Yesterday I went to the travel clinic where among other vaccines I was asked if I would like to receive a series of shots to prevent against rabies. I said, "Give me everything."
Veronica tells me she turned down the rabies vaccine. When I asked her why she said, "What? What am I, a zookeeper!?" (she may or may not have said this is a schticky borscht belt accent - in fact, she may or may not have said this at all.)
I mentioned Veronica's refusal to my doctor, who looked gravely at the floor. "If bitten by a mammal she must assume she has been exposed." She said, "She will need treatment within 24 hours. The closest treatment to Tororo, Uganda is probably Nairobi, Kenya." The doctor continued with her advice about malaria, yellow fever, etc. But I descended into a dark day dream.
Veronica has been bitten. We get in an old car. I drive as fast as I can in the direction of Nairobi. Hours pass. Veronica asks me to tie her arms together for my safety, then she says, "It's been a good run, Skipper..." Her eyes turn electric yellow. She is trying to trick me into untiring her, but her wits have been slowed by the disease, so her attempts are lame and obvious. "Boy, oh boy," she says, "I think I'm just all rabies-ed out by this long drive. You should probably untie me."
I tuned back in to the doctors advice in time to her her say. "It is recommended that you avoid entering all Caves in Uganda as marburg hemorrhagic fever is present in the country." She scanned the print out she was reading from and said, "Particularly you should avoid the Python Cave in the Maramagambo Forest."
I chose to get a rabies shot. I'd like to think I would've avoid the Python Cave with a special remonstration.
Thursday, July 2, 2009
Ha Ha: funny movies, funny poems

The first film I watched all the way through was Ben-Ner's adaptation of Moby Dick shot entirely in his kitchen with a cast of two: himself and his 6-year-old daughter. This film, like all the others in the retrospective, was playful and hilarious.
At first I was attracted to Ben-Ner's work because it was at once artful and funny, but thinking about him and viewing the few clips of his work available on Youtube over the last few weeks I've realized that I am drawn to the work for another reason as well. I'm completely taken with his themes and how adeptly he deploys them. Ben-Ner is able to make movies about happy families without being cloying, and movies about the adorable without being cute.
Film is an art form with a long established history, from Charlie Chaplain to Woody Allen, of comedy being taken seriously. Poetry, unfortunately has not been so lucky. The occasional reader of poetry, let alone the general public, would hardly know that American poetry has spent the last 50 years learning the lessons of Modernism and busting a gut in the process. There are any number a very talented very funny poets writing today. Among my favorites: James Tate, Zachary Schomberg, Rae Armantrout, Dean Young, Rachel B Glaser, Dorothea Lasky, Eugene Ostashevsky.
In his essay "Poets Wary of Poetry", Charles Simic zeros in on why within the Modernist aesthetic "the comic sense" and "the poetic imagination" are so appropriately wedded. "They depend on juxtaposition of unlikely elements, the joining of two distant realities whose resemblance has not been grasped till that very moment." (though, let's be fair, this observation applies to all the arts in the Modernist period equally - have you every really looked at Ruaschenberg?)
I try to write poems that take part in this equation. But often, and I think it is also the case with some but not all of the poets I mention above, I find my themes to be heavy and my jokes to be dark. I think Ben-Ner has shown me another set of themes. He demonstrates that work that is both artful and funny can be made without a skull hidden the picture.
Tuesday, June 30, 2009
Welcome to Pink Stone Facade

Yesterday when I was walking to get some food with my friend Eleanor in Davis Square in Somerville Massachusetts a key fell on my shoulder. I heard the key land on the sidewalk. Eleanor looked at me funny because I'd twitched when it hit me. She said "What was that?" I picked it up. "This key just fell on me," I said. We looked around at the rooftops. We didn't see anyone up there. It didn't seem like anyone had thrown key at my shoulder. It was just a normal looking key.
Just the facts. I was walking with Eleanor. A key fell on my shoulder. This seems like as good a place to start as any. Welcome to Pink Stone Facade.
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